Bio

Since the 1990s, the artist has developed a sustained artistic practice that brings together painting, encaustic, and textile, grounded in an ongoing investigation of abstraction, materiality, and the body understood as a sensitive and perceptual field. Her work is characterized by a direct engagement with materials and a process-based methodology in which making operates as a form of thinking.
In 2025, she was selected to participate in the group exhibition Del piso al techo at Galería Cecilia Caballero and, more recently (July 2025), was shortlisted for the Salón Nacional de Artes Visuales (Palais de Glace). In 2024, she was selected through an open call by the Embassy of Argentina in Washington, D.C., where she presented her solo exhibition Habitar / Inhabited (March–April). In 2023, she participated in the Salón Nacional de Arte Textil (CAAT), with an exhibition at the Museo Rómulo Raggio (Vicente López), and took part in Genealogías del Verde (Salón Verde CAAT) at the Museo Benito Quinquela Martín. That same year, she presented her solo exhibition La revelación consiste en perderse, curated by Julieta Pons, at Casa de las Culturas Villa Carmen (Tigre, Buenos Aires).
Between 2020 and 2023, she participated in the training and exhibition programs of Fundación Cazadores, including work clinics and seminars with artists and curators such as Sergio Bazán, Florencia Qualina, Agustina Núñez, Valeria Vilar, Diego Bianchi, Leila Tschoop, and Leticia Obeid. In 2022, she completed the ISO Contemporary Art Practices Program, coordinated by Marcolina di Pierro and Cecilia Ferrari. Previously, she attended workshops led by Soledad Lacorte, Andrés Waissman, Rebeca Mendoza, and Marco Otero. In 2017, she held her first solo exhibition at the Centro Cultural Borges.

CRISTINA MAZZUCCHELLI. PINTURAS